Unbuilt DC: Public Murals Dot DC's Underdeveloped Landscape

Map of BicycleSpace & MuralsDC bike tour

While DC is rife with cranes and construction projects, for some sites the time has not yet come - at least not for condos. In a whirlwind, art-chasing bike journey that led through the northwest DC neighborhoods of Shaw, Columbia Heights, Kalorama, and the U Street Corridor, MuralsDC hosted a mural bike tour this weekend chasing down 18 of the city's (officially sanctioned) murals.  

MuralsDC and bike purveyor BicycleSpace, located on 7th Street NW between the Shaw and Mount Vernon Triangle neighborhoods, organized the mural tour.  The (official) murals are publicly-funded through the MuralsDC program, an organization established in 2007 with the goal of deterring graffiti on historically "frequently-tagged" walls.

Eric B. Ricks (right) in front of his mural at 8th and S Streets NW

Through the program, building owners can apply for their building to be considered for a mural.  The city - through the DC Department of Public Works (DPW) and the D.C. Commission on the Arts and the Humanities (DCCAH) - works in collaboration with the group Words Beats & Life Inc to settle on the artists and designs.  In DC, at least 35 murals have been painted through the MuralsDC program and seven more are being created this summer.  Four of those, according to MuralsDC tour guides, were due to be completed yesterday.

Albus Cavus's "Blended", 2030 8th St NW

During a stop at one of the newest MuralsDC works - due for completion this summer - mural artist Eric B. Ricks, whose art appears at S and 8th Streets NW,  said his hummingbird piece reflects the ideas of work and productivity, and is also a symbol that could be a harbinger of joy for the neighborhood.  "The humming bird is one of the hardest-working animals," Eric B. told us.  "As a totem animal, it always carries joy and brings joy wherever he goes."

From Albus Cavus's "Blended"

Other graffiti art groups create non-publicly funded murals, such as the D.C. collaborative public art and art education group Albus Cavus.  One of the group's murals - "Blended" - appears at 2030 8th St. NW, a building due for demolition in October.  Albus Cavus artists painted the building's walls during an art performance party and fundraising event - organized by Albus Cavus and AIGA Washington - at the site in June.  The event raised money to support Albus Cavus's programming. JBG Companies donated the site for the event.  The building is also currently home to the pop-up gallery The Randall Scott Projects.

MuralsDC mural at Walter Pierce Park

The MuralsDC program also aims to engage youth in the neighborhoods where the murals are painted; one mural was painted by an artist who worked with neighborhood children, giving paint to passersby for contribution.

A public art mapping platform by the ArtAround project has created an open-source inventory of DC public art, including murals.  Users can search by type of art, funding source, and location.

"Every Day I See Something New," by Cita Sadeli, Champlain Street NW

"Let's Meet at the Corner", artist Alicia Cosnahan, 13th St. and Park Rd. NW

"My DC" - Corner of 14th and Randolph Streets NW

Read More

Kalorama Apartment Building Impresses HPRB, On Track for 2012 Groundbreaking

A five-story, nine-unit apartment building planned for a vacant parcel at 2225 California Street, NW in the Sheridan-Kalorama historical district has passed an important hurdle and could break ground before the end of the year.

"HPRB basically approved the concept," confirms Don Malnati, a partner on the project at MMG.  "We're onto geotech testing, stuff like that.  The next step is permit plans; we'd like to have foundation/grade permitting first, so we can maybe start digging before the complete building permit comes through.  It's hard to say, all these processes take anywhere from two to six months.  At any rate, it's a by-right building, and we're within the zoning codes, so at this point it's mostly just technical."

Plans for the project, from MMG and designed by Ralph Cunningham of Cunningham Quill, met with moderate resistance from community members at an HPRB hearing earlier this year, on issues ranging from the design itself to the placement of the proposed building to the impact on a garden on the site. The proposed building "is inspired by the classical vertical proportions and tripartite façade organization prevalent in the neighborhood’s buildings while being contemporary in detailing," with three horizontal bands of different-colored brickwork denoting each story. Plans call for one unit on the ground level, with two units on each of the upper levels, and two penthouse units with access to a rooftop terrace.

The building will sit off-center on the lot, directly on the party wall of the smaller rowhouse, with a 12.5 foot side yard separating the building from the larger apartment building at 2219 California.

Predictably, this caused some consternation from the owners of the rowhouse. Of particular note is a light well on the facing side of the rowhouse which will be completely blocked off by the new building; upon questioning, MMG reps said preserving the well, possibly through the use of glass wall, was "not feasible." Don Hawkins, an architect representing the owners of the rowhouse, made a forceful plea for "any relief at all" from the board, claiming his clients' house lost 40% of its value when the MMG project was announced. He also noted wryly that "they [MMG] have been responsive to every request we've made, except the one for them to go away."

In response, MMG reps noted that zoning required them to pick a side ("You can't just build in the middle") and that, as they saw it, the many windows on the facing side of the apartment building at 2219 took precedence over the more limited exposure of the rowhouse. They also pointed to their extensive cooperation with the neighborhood on the particulars of the project - meetings with the ANC, with the Sheridan-Kalorama Historical Association, an on-site meeting with locals - and even went so far to promise consideration of community suggestions on facade materials.

This was a reccuring theme from even the sharpest critics of the project - the developers, it had to be said, had engaged the community, and this engagement seemed to take the edge off of what could have been a very contentious meeting.

The vacant parcel is home now to a garden, and Jim Pepper, a retired National Park Service employee who lives nearby, made an impassioned pleas on its behalf, calling it "historic" and a necessary element of the neighborhood's aesthetic. But despite his efforts, the board ruled that the project is “not incompatible with the character of its location,” and recommended final approval.

Washington D.C. real estate development news

Read More